Saturday 22 October, 3pm at St George's Church
BREMF Live! Showcase
20-minute sets by emerging early music ensembles featuring instrumental and vocal music from the 12th to the 19th centuries.
Date & Time: Saturday 22 October, 3pm
Ticket price: £20; £10 12-25; under-12s free, £5 Prom (restricted view seating) tickets will also be for sale on the door only, Book tickets for 6 or more events (excl. Clubnight) and receive 10% off
Venue: St George's Church
Spot the stars of tomorrow from the best of emerging talent on our BREMF Live! young artist scheme. This showcase presents 20-minute sets from this year’s chosen ensembles. Tea and BREMF’s famous homemade cakes will be served in the interval.
Flutes & Frets
Beth Stone flutes
Daniel Murphy lute, theorbo & guitar
To Make a Long Story Short
Join the Flutes & Frets Duo for a programme of British music from the 16th through to the 19th century.
Tufnell Trio (string trio)
Yaoré Talibart violin
Thomas Kettle viola
Nathan Giorgetti cello, viola da gamba
Dialogues through Time
From William Lawes in mourning and the expertly crafted Sinfonias of JS Bach through to Purcell’s explorations of musical nostalgia and Hyacinthe Jadin’s visions of tomorrow: the Tufnell Trio presents a varied programme of composers’ dialogues with the past, present and future.
Horizon Voices (vocal ensemble)
Lindsey James & Freya Turton sopranos
Sophie Timms mezzo-soprano
James Rhodes tenor
Alex Pratley bass
Music for a While
Horizon Voices weaves transitional duets and chant interludes between full choir repertoire to create a through-devised performance. Each piece presents a different concept of transition related to religious narrative, compositional context and internal harmonic and textural transitions, featuring works by composers such as Sweelinck, Purcell and Byrd.
BREMF Medieval Ensemble
Daniel Scott recorders
Beth Stone flute
May Robertson fiddles
Daniel Murphy lutes
The Textless Chansonniers
Tracing the transition of melodies from vocal to instrumental music in the 15th and 16th centuries through augmentation, invention and diminution.
Liturina (baroque ensemble)
Gabriella Jones violin
Iain Hall recorder
Nathan Giorgetti cello
Callum Anderson harpsichord
The Obstinate Bass
Liturina presents a sonic experience exploring the theme of transition between different historical eras, different instruments, and different works, all based on an ostinato descending bassline. Extending this idea further, their programme plays with the boundaries of beginnings and endings, merging the pieces into a continuous musical experience.
Supported by the D’Oyly Carte Charitable Trust, Behrens Foundation, Fidelio Charitable Trust, Fenton Arts Trust, Chalk Cliff Trust and The Harold Hyam Wingate Foundation.
Programme
- Flutes & Frets - To Make a Long Story Short
Thomas Tallis
1505–1585 If ye love me
Anthony Holborne
1545–1602 The Fairy Rownde
Henry Eccles
1670–1742 Sonata Quarta in A minor
Niel Gow
1727–1807 Tunes from his Second Collection of Strathspey Reels
John Henry Maunder
1858–1920 Espagnola
- Tufnell Trio - Dialogues through Time
William Lawes
1602–1645 Musick, the Master of thy Art is Dead
Henry Purcell
1659–1695 Fantasia Z.733
Johann Sebastian Bach
1685–1750 Sinfonia No. 14 in B flat major BWV 800
JS Bach Sinfonia No. 12 in A major BWV 798
Hyacinthe Jadin
1776–1800 Adagio from String Trio Op. 2 No. 3 in F major
- Horizon Voices - Music for a While
Jan Pieterszoon Sweelinck
1562–1621 Gaude et laetare
Sigismondo d’India
1582–1629 Che non t’ami, cor mio?
Thomas Morley
1557–1602 Go ye my canzonets
Luca Marenzio
1553–1599 Che fa oggi il mio sole
Henry Purcell
1659–1695 Lost is my quiet forever
Orlande de Lassus
1532–1594 Mia benigna fortuna
Hildegard von Bingen
1098–1179 Ave generosa
Purcell Music for a While
William Byrd
1543–1623 Alleluia, Ascendit Deus
- BREMF Medieval Ensemble - The Textless Chansonniers
Hayne van Ghizeghem
1445–1472 De tous biens playne a3/a4
Jean Japart
fl. c. 1474–1481 De tous biens plaine a4
Japart Je cuide se ce temps a3
Japart Je cuide/De tous biens playne
Anonymous
Late 15th century J’ay pris amours
Heinrich Isaac
1450–1517 Jay pris amours a3
Isaac Jay pris amours a4
Anonymous
1501 Jay pris amours/De tous biens a4
- Liturina - The Obstinate Bass
Henry Purcell
1659–1695 Two in One upon a Ground
Heinrich Biber
1644–1704 Passacaglia in G minor
Jean-Baptiste Lully
1632–1687 Passacaille from Armide
Arcangelo Corelli
1653–1713 Trio Sonata Op. 2 No. 12 in G major: Ciaccona
JS Bach
1685–1750 Goldberg Variations:
Aria; Variation 1; Variation 2; Variation 3